First Internationally Acclaimed African American Sculptor

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The Death of Mary Edmonia Lewis

West of Kensington on London’s outskirts, a colony of Catholics likely attracted

her attention. At Brook Green, Hammersmith, an agricultural area, the community

had set up a church, several schools, a convent of teaching sisters, and an almshouse.

A mansion called Bute House stood nearby, suggesting some involvement of

Edmonia’s patron. Of most interest, given Edmonia’s history, would have been St.

Mary’s orphanage for girls next to the large gothic church.

 

Edmonia took a room ten minutes away in a three-story Victorian brick house at

154 Blythe Road, one of many that lined the north side of the street. She boarded

there, a mile and a half from her church, until, diagnosed with chronic Bright’s

disease (of the kidneys), she fell into a coma and died.

The official record of Edmonia’s death misstates her age and fails to use the name connected with her celebrity.

She was actually sixty-three years old.

 

Her death notice appeared in the Catholic weekly, The Tablet [see below]. Printed in a tiny

font and crowded into a page full of bold advertisements, it was as brief as it was humble:

     LEWIS – On the 17th inst. at Hammersmith, Mary Edmonia Lewis, formerly of 7, Via Gregoriana, Rome. R.I.P. 

The reference to Rome has some meaning for Catholics, but it misleads as to her origin. Why

was there no mention of her native land? Her will and her death certificate noted she was a

sculptor, but the notice did not. The editors failed to recognize her celebrity and the news

stopped there.

 

Her will specified a Catholic funeral and burial at Kensal Green, London. It named a Catholic

priest as her executor and main beneficiary. At the time of her death her estate was worth

about sixty thousand of today's dollars.

 

Was the age "42" an error or a joke? To mislead a bureaucrat about a one’s age was one of the

delights she shared with Hosmer and other members of the sisterhood. When someone

accepted her age less ten or twenty, she had something to laugh and smile about with friends.

 

Meanwhile, it is time for us to smile. We found her last days to be peaceful and prosperous.

Let us celebrate her lasting triumphs. As poet Vivian Shipley hoped,

 

     “If her grave were found and marked today

       the tombstone would have no hyphen, one title: SCULPTOR.”

A further eulogy comes from sculptor Denise Ward Brown. 

     "If I could talk to her, I would just say 'thank you' and let her 

      know that every African American artist knows her name. 

      She did not live, she did not work in vain."

-- excerpted from a biography by Albert and Harry Henderson in preparation.

Below: The death notice enlarged. The original page is roughly letter-size.

 

 

Jan., 2011